Latest Productions
Coming November 2024 is Lord Denney's Players' production of John Fletcher’s The Faithful Shepherdess. Stay tuned for upcoming auditions in September, 2024.
Coming April 2024, Lord Denney's Players' documentary film of Elizabeth Cary’s The Tragedy of Mariam, directed by Professor Elizabeth Kolkovich
Coming this Fall, Lord Denney's Players' 10th production of Shakespeare's A Midsummer Night’s Dream, directed by Professor Sarah Neville.
Coming this Fall, Lord Denney's Players' 9th production of Shakespeare's The Chronicle History of Henry the Fifth , which will be directed by Sean Naughton.
This spring, Lord Denney’s Players is back in person with Shakespeare’s farcical, fast-paced play, The Comedy of Errors!
Looking for Hamlet, 1603, the company’s seventh production, is a full-length documentary film about the earliest text of Shakespeare’s most well-known play.
One of Shakespeare's most beloved comedies, Much Ado About Nothing is a play about love, wit, and trickery; however, most of all, it is a play about observation and gossip.
Probing the nature of love, violence and language itself, this intricate coming-of-age tragedy has withstood the test of time as one of Shakespeare’s best-loved and most performed plays.
The Lord Denney's Players' student-driven production of Sir John Falstaff and the Merry Wives of Windsor redeemed Q1’s crossed-fortune by giving it an opportunity to stretch its legs upon the boards
By turns tender, funny and tense, The Tempest used a variety of artistic mediums, from masquing to music, to explore the nature of wonder, skepticism and forgiveness in a Machiavellian world.
The Second Shepherds’ Play, is often said to be the finest example of English medieval theater, combining broad farce with a tender devotional scene at the end. Also, from the cycle, The Annunciation tells the story of the Incarnation and, like The Second Shepherds’ Play, combines tender devotion and farce.
"The opportunity to be involved in this production has gone beyond my personal expectations. Interaction with the text in a live environment creates a critical engagement that serves as a Shakespearean green world of sorts when juxtaposed with the traditional classroom environment."
—Justin Bauer (BA '15)
"I’ve learned in the discussion of so-called “bad quartos” that Shakespeare wasn’t perfect. His plays often went through many revisions, contrary to the popular myth that Shakespeare was an infallible playwright.”
—Maxwell Steele (BA '18)